#Scopebox with canon mark 3 720p#
#Scopebox with canon mark 3 professional#

Day after day my mom and sister would go swimming at the river, pick berries, all the lazy summer day stuff and I would walk down to the shop to cut, so that I could finish a version of my scene. I spent hours and hours this summer in my grandfatherвЂ™s workshop editing the footage. We have a cabin in Humboldt County, which is where I assemble my rough cuts. This allowed me to natively edit them on the family iMac in Adobe Premiere.

#Scopebox with canon mark 3 720p#

I then brought the footage into the iMac and transcoded into CineForm 720p files.

#Scopebox with canon mark 3 professional#

I was able to cast professional actors and some of my schoolmates. This is my second feature and I wanted to do everything better, starting with the script to casting. They knew how important this film was to me so they agreed. I saved every penny I could earn and then begged my parents to let me use money from my college savings. Man and Flusher is a feature film that I wrote while in 8th grade. HOW DID YOU COME UP WITH THE IDEA FOR THIS FILM? Tom realizes that this adventure will not fix his friend, but their last night together does evolve into the most defining experience of their lives. On the way they encounter a washed up вЂ90s boy-band star and try to win the hearts of their dream girls.

Their plan is to sneak Jim out of the hospital for one last adventure before his disconnected parents move him off to Memphis. After learning that his best friend Jim (Sam Grossinger) has attempted suicide, Tom (Adam Simpson) enlists the help of the neighborhood kingpin, GranddaddyвЂ™ (Blake Borders). Man and Flusher is really a story of adventure, friendship and finding love.

ThatвЂ™s when I decided to reach out to find out more.Д¬AN YOU TALK ABOUT YOUR MOST RECENT FILM? And seeing Robb foster his sonвЂ™s love for filmmaking, I realized I wanted to be able to do that with my sons. I can see the connection between fatherhood and mentorship, especially between an editor and an assistant. It makes sense that someone who has been such a good mentor has produced a son with such a passion for filmmaking. Griffin turns 15 in February and hopes to make a film a year until he turns 18. Then a few months ago I read an article about Griffin making a second film, at 14 years old, The Adventure of T.P. Last year, I heard that RobbвЂ™s son, Griffin, had made his first film at 13 years old, Calling The Shots. Throughout the years I was lucky enough to encounter more editors like Robb and took all of the advice I could. Passing on our knowledge helps the community move forward.Д®ven with a couple of little scenes to cut for Robb, the direction I received helped make me the kind of editor I am today. I have found mentoring to be very satisfying, but also integral to the way post functions. Taking the time to show younger assistant editors who have their eye on advancement makes you feel good - something IвЂ™ve learned firsthand.ДЄs IвЂ™ve become a вЂњprofessionalвЂќ editor I have been lucky enough to mentor assistant editors, machine room operators, production assistants and anyone else that was interested in learning post. I was very excited, and very appreciative of his feedback. This was the first time I edited a scene that ran on TV. I helped cut a few scenes, and Robb was kind enough to give me constructive feedback. Years ago I worked with an editor named Robb McPeters, who edited The Real Housewives of New York City. And a lot of the time I got that opportunity. When I was an assistant editor, my hope was that the editors would let me watch them work, or give me a chance to edit. Then I use previously shot footage in order to show the practical benefits of using Wide DR gamma.From editing to directing, I have always loved how mentoring and teaching is a tradition that lives on in this industry. In the first part of my video, I use Scopebox to better explain the differences between Wide DR, Canon Log, and the Standard gamma. The best way to show off what Wide DR Gamma can do is to demonstrate its effect on real footage. Technically, it falls between Rec709 and Log, so while Log recordings require a post grade, Wide DR gives you the option to record more dynamic range from the sensor without needing to post grade your footage. For users of the C100 and C300, one of the most useful of these is the addition of a Wide DR Gamma.ДЄs its name suggests, the Wide DR gamma setting allows users to capture a wider dynamic range than traditional Rec709-based gammas. Canon has definitely made a commitment to bringing new features to their EOS line of cameras with various firmware updates.